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The ‘Maqama’ are a collection of picaresque Arabic tales written in the form of rhymed prose in which rhetorical extravagance is conspicuous. The style was invented in the 10th century by Badi al-Zaman al-Hamadhani and extended by Abu Muhammed al-Qasim ibn Ali al-Hariri of Basra the following century.<br/><br/> The protagonists in the tales are invariably silver-tongued hustlers, especially the roguish Abu Zaid al-Saruji, who trick the narrator and who live on their wits and dazzle onlookers with displays of acrobatics, acting and by reciting poetry.
Yahyâ ibn Mahmûd al-Wâsitî was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit in southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.<br/><br/> Maqāma (literally 'assemblies') are an (originally) Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century. Both authors' maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator.<br/><br/> Manuscripts of al-Harīrī's Maqāmāt, anecdotes of a roguish wanderer Abu Zayd from Saruj, were frequently illustrated with miniatures.
A drawing from 'The Graphic', London, January 16 1892. The accompanying text states: 'The chief slave market consists of a large stone building with a verandah. The slaves are generally brought out onto the verandah, where a group of regulars sit smoking their nargilehs and drinking coffee. The slaves are mostly girls from ten to sixteen years of age'.<br/><br/> Drawn by G. Durand from a sketch by Father Oberwalder who, with two nuns, recently escaped from the Mahdists.
Edward William Lane (1801-76) was a British Orientalist, translator and Arabic scholar who lived in Ottoman Cairo from 1825-28. So fascinated was he with Egypt, he dressed as an Ottoman Turk and spent much time sketching the backstreets of Cairo. Upon his return to England he translated the novel ‘Arabian Nights’ [‘1001 nights’] and ‘Selections from the Qur’an’.
In 1698, Zanzibar fell under the control of the Sultanate of Oman. Until around 1890, the sultans of Zanzibar controlled a substantial portion of the East African coast, known as Zanj, which included Mombasa, Dar es Salaam, and trading routes extending much further inland, such as the route leading to Kindu on the Congo River.<br/><br/> The sultans developed an economy of trade and cash crops in the Zanzibar Archipelago with a ruling Arab elite. Ivory was a major trade good. The archipelago, also known as the Spice Islands, was famous worldwide for its cloves and other spices, and plantations were developed to grow them. The archipelago's commerce gradually fell into the hands of traders from the Indian subcontinent, whom Said bin Sultan encouraged to settle on the islands.<br/><br/> Zanzibar City was East Africa's main port for the slave market between Africa and Asia (including the Middle East), and in the mid-19th century as many as 50,000 slaves passed annually through the port. Sultan Barghash bin Said helped abolish the slave trade in the Zanzibar Archipelago after 1870.
France: 'The Slave Market'. Oil on canvas painting by Jean-Léon Gérôme, 1866.<br/><br/> Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period.